Cathy Milliken: Composition and Collaboration: an investigation of collaborative musical practice through the lens of the composer (Intercultural Communication through Practice). Wednesday 20 February, 12-2pm, CM107.

The purpose of this seminar is to investigate various ways in which composers engage in collaborative, creative musical processes with others. I shall introduce three projects, each placed in different cultural contexts. I will touch on more general considerations such as democratic musical practices and shared authorship as well as specifics relating to intercultural creative…

Emmanuelle Waeckerlé: Playing (with) and becoming (OPEN SCORES LAB 21). Wednesday 13 February, 12-2/2-4pm, CM107.

Playing (with) and becoming I will share a few projects, VINST, JUNGLE FEVER, PRAELUDERE, Ode (owed) to O, specualting on where my attachment to spoken/written language and the voice may come from, and how a few conceptual strategies I have used over the years have recently led to rather unexpected results. In the afternoon I…

Larry Goves: Paraphernalia: material agency and musical excess (Sonic Materialities Lab). Wednesday 23 January, 12-2pm (CM.107).

Paraphernalia is an planned extensive sequence of new theatrical/multimedia music compositions in which the intention is to collide notions of material agency with a compositional interpretation of Kaloust Guedel’s Excessivism manifesto (2015) and related visual artworks. The sequence also takes, as an elusive starting point, Marco Ferreri’s controversial 1973 film La Grande Bouffe (which centres on a group…

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